I am the water
I am the water
Without me you die
I rush along through a world unknown
I laugh, I sing, I dance along
Belonging to all,
But always alone.
I quench your thirst
Give gifts of rainfall
And majestically journey
Past the great and the small.
Why then do you hurt me
The substance you need?
Giving poisonous gifts
To support all your greed.
Hiding sewery secrets
Below shores of my seas,
Spilling venomous rainbows
On reflections of trees.
Is it selfishness that helped spawn this seed
In the minds I help most,
In humanity?
This plant does not thrive on all of your need
It survives to hurt and kill purity.
The thing you call money,
I call it a weed
It suffocates animals that live around me
It wraps us in darkness
Until we can’t breathe
And hides all the treasures of nature’s beauty.
I am the water
Without me you die
I rush along through a world unknown
Sometimes I laugh at the joys that I pass
Sometimes I see all the damage and cry
But remember, while it is pain that you cast,
I am the water
Without me you die.
I wrote this poem for an environmental awareness exhibition when I was 12 years old. I found it again this year and was surprised by the depth and relevance of it.
The photo is one I took last year of the Bellinger River on the mid-north coast of NSW. It’s the river I wrote this poem about.
New World Order
I sat in the dark theatre, hearing an American soldier share his story of violence, terror and injustice. How he had given the order to blow up a building then witnessed the devastation it caused an innocent family.
The reality of war hung oppressively in the air when the lights came up on a stage bare save for a man sitting on a chair, wine bottle in hand and tears in his eyes.
Few performances I’ve seen have been as gripping, touching and perceptive as New World Order. The one-man play from award-winning international playwright, actor, director and producer Ryan J-W Smith, deals with empire-building from the perspectives of three characters – The King, The Joker and The Veteran.
Political subterfuge and terror are a plague in today’s global society, and influence socio-political relationships both locally and globally. It’s daring to try and encapsulate the situation in a one-hour performance, but Smith pulls it off beautifully. The play combines details of contemporary conflicts with more general attitudes and theories to deconstruct an issue that has been relevant to civilisation throughout history.
Smith’s use of iambic, rhyming verse has previously earned him the title “The Bard Mark Two” (BBC), but while Shakespeare’s influence was clear, the theatrical conventions and the story went beyond that realm and into a brave new world. His masterful manipulation of language adds a timeless quality to the play that marks this work as a sophisticated, intelligent and emotive performance different to anything else being created today.
It’s rare to find a one-man show that’s engaging, entertaining and insightful, but by playing all three characters Smith highlights the common element between them – they’re only human. The simple staging contrasts with the complex characters and creates the perfect balance for us to think about what is being said. Having one person show us three different perspectives is a refreshing reminder of our basic human nature and the expectations that comes from our place in the status quo.
Transitions between the three characters are so smooth it’s easy to forget there is only one person on stage. Adept use of physicality and vocal nuances mark each character and compliment the depth of the text. Suspending disbelief is an almost unconscious act from start to finish.
Smith’s conviction is overwhelming and enlightening, generating critical thought on the state of things today. The use of diverse sources transform current war and terrorism discourses into something rich and strange. New World Order is an outstanding piece of theatre that opens the mind and calls for more discussion on an issue that is ages old but still starkly relevant today. I would recommend it to anyone who is interested in the state of our world and our humanity.
Ryan J-W Smith’s New World Order was performed at the Judith Wright Centre as part of the 2008 Brisbane Writers Festival.
Uncertainty
Return from afar to find an old place
Stand on familiar ground
Trying to find some saving grace,
Within or without the truth has no sound
But surety and comforting relief.
All that has gone is all that will come
In a different form to be to you translated.
Rising up from the earth,
Chasing after the sun,
Bending in the wind as resolve is created.
Peace within hope and hope within dreams
Sense does not work
When worlds collide and the future lies
Amidst chaos and conflict.
Return to the ties of the past
Find new, enlightened edict.
Shared thoughts are twice blessed
By a double-mind’s care
New views on concerns
Bring perspectives refreshed.
For as we are taught to share
That sharing can good prospects bring
And brush away the burrs and spurns
Which plague all our uncertainty.
True friendship stands through all the storms
And lives to see the changes
That come when decisions bring about new dawns.
Assurance will stray
From the foundations you make
Yet the sun will rise every day
And set without mistake
Think on this, therein lies such comfort as relief.

